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Koszyk

Twój koszyk aktualnie jest pusty.

Wróć do sklepu

Chanterelle. I made this sculpture two weeks ago d Chanterelle. I made this sculpture two weeks ago during a sculpture open-air workshop that I led. I fired it in the flames yesterday and it turned out amazing… Mushrooms have always fascinated me. I love them all — each species, each shape, each mysterious form of life. Raku still hides many mysteries from me. The outcome always surprises me — and that’s exactly what I love most about this technique. Every time I prepare a sculpture for the fire, I enter the sacred space of not-knowing. Firing the Chanterelle in flames went beyond anything I hoped for. She came out so beautiful. The smoke-blackened finish brought out her eyes perfectly. I’m in love with the softness I managed to catch — that subtle, soulful expression. And those crackles — just look at them!
Before the sculpture meets the fire, it must recei Before the sculpture meets the fire, it must receive its final layer - the glaze. This is where the alchemy begins. Raku glaze is unpredictable. It offers no guarantees. But it gives you magic. It’s a moment that teaches me, every time, to trust. A moment when I’m fully aware of my intention, when I know what result I’d like to see - but I surrender, in humility and faith. Already at this stage, I’m willing to embrace both failure and spectacular success. I’ve been working as a ceramic artist for nearly 15 years and if I’ve learned anything, it’s that I know nothing. Already now, I let go of control. Whatever happens, happens. Soon - the fire. The transformation. But first - this. This moment, when the clay is sealed in its final skin… And waits.
I’ve been away from here for quite a while. Not I’ve been away from here for quite a while. Not because I stopped creating — I didn’t. But life felt heavy for a bit. There was a moment when I seriously considered quitting my business. Not because I lost my passion — creating is my element. But all the other stuff — taxes, paperwork, the pressure of running everything alone — it wore me out. I even went to a job interview. A regular 9 to 5 job. Fixed salary. Paid vacation. Sick leave. All the privileges I never had while working for myself. It was tempting. But then I had a moment of clarity: I’m not ready to give up what I have. My freedom, my creativity, the space to be fully myself. Even if this path is hard sometimes. So here I am — coming back. No fireworks, no big strategy. Just a quiet return to sharing what I make. Maybe some of you are still here. Maybe new ones will arrive. And maybe you’ll say hi? Let me know you’re here — wave, drop a heart, leave a word. Tell me what brings you here. Are you curious about my new sculptures? Do you enjoy seeing the creative process behind the scenes? Or maybe you’re drawn to the woman behind it all — her story, her strength, her past? Whatever it is — thank you for being here. Truly. Marta
Just before the elections in Poland 🇵🇱 The Just before the elections in Poland 🇵🇱 The crown rests upon a head molded from the collective dream of its subjects.
I’m opening orders for a limited series of mugs I’m opening orders for a limited series of mugs with the faces of the Major Arcana. You can choose a specific Tarot card, or let me intuitively select an archetype that resonates with your current path. The mugs will be ready mid-June. Price: $25 + shipping. I ship worldwide. How to order? Send me a direct message. I’ll reply with the details and ask you about your chosen card or the energy you want to invite into your life.
Eng/Pl Do you know that moment when what’s alive Eng/Pl Do you know that moment when what’s alive within you has to wait? When you’re slowly carving your path through systemic obstacles? Through the hard truth that the people who were supposed to help have caused harm instead? I’m holding your hand. Sometimes I sculpt life. Sometimes life sculpts me. Today, I’m not sculpting. I’m not riding the wave of creative fire. Today, inspiration and daily life collide — like waves crashing against rocks. Sometimes with thunder. Today, I’m confronting matter: spreadsheets, invoices, human negligence, lack of competence. I’m holding this stone in my hand like a talisman. So the memories of my encounter with Earth — the greatest sculptress of all — don’t dissolve in the systemic slalom I now must navigate. This stone is a promise — a promise of return to my inspirations. I’m full of them, but I cannot draw from them just yet. Well… creativity is not only fire. It’s also the moments when we must kneel beside everyday life, which calls for our attention. I’m grateful I have kind people around me, people I can count on. Life supports me. Life supports you. — Znasz ten moment, gdy to, co w Tobie żywe musi poczekać? Gdy mozolnie wydeptujesz sobie ścieżkę przez systemowe przeszkody? Przez zderzenie z trudną prawdą o tym, że ludzie, którzy mieli Ci pomagać zaszkodzili? Trzymam Cię za rękę. Czasem ja rzeźbię życie, czasem to życie rzeźbi mnie. Dziś nie rzeźbię. Nie płynę na fali twórczego ognia. Dziś inspiracja i życie codzienne zderzają się jak fale o skały. Czasem z hukiem. Dziś zderzam się z materią. Z tabelkami, fakturami, ludzkimi zaniedbaniami, z brakiem kompetencji. Trzymam ten kamień w dłoni jak talizman. Żeby wspomnienia ze spotkania z ziemią - największą rzeźbiarką nie rozmyły się w systemowym slalomie, któremu się teraz muszę oddać. Ten kamień jest obietnicą powrotu do moich inspiracji, których jestem pełna, ale nie mogę jeszcze z nich czerpać. No cóż, twórczość to nie tylko ogień. To także chwile, gdy trzeba przyklęknąć przy codziennym życiu, które domaga się Twojej uwagi. Jestem wdzięczna, że mam wokół pomocnych ludzi, na których mogę liczyć. Życie mnie wspiera. I Ciebie też.
Eng/pl I met Mitera. The ancient Mother of Olive T Eng/pl I met Mitera. The ancient Mother of Olive Trees. She’s 1500 years old. She stood here when Corfu belonged to Byzantium. When women walked in silence, and the moon ruled their days. I came to her like to a temple. With reverence. With trembling. My heart wide open. When I saw her—twisted, wild, full of stories and power— I broke into tears. I cried. Not from sadness. From awe. From recognition. From the ancient place in me that remembered Her. I wanted to give her something. But I had nothing with me. Only water. So I shared it with her. The same water that nourished me today. Now we are connected. The same essence flows through us both. And then—something happened. Light broke through the branches. A single beam struck my chest. Another wrapped around my feet. Sky met Earth. Heaven met Body. And I stood in-between. As if Mitera answered me. As if the world whispered: “Yes, Daughter. I see you too.” She still gives birth to olives. Still nourishes. Still remembers. And I will never forget this moment. — 🇵🇱 Spotkałam Miterę. Starą Matkę Drzew Oliwnych. Ma 1500 lat. Stała tu, gdy Korfu należało do Bizancjum. Gdy kobiety chodziły w ciszy, a rytm ich życia był wyznaczany przez taniec cykliczności księżyca. Szłam do Niej jak do świątyni. Z szacunkiem. Ze wzruszeniem. Z otwartym sercem. Gdy Ją zobaczyłam — poskręcaną, dziką, pełną opowieści i mocy — rozpłakałam się. Płakałam. Nie ze smutku. Z zachwytu. Z rozpoznania. Z tego pradawnego miejsca we mnie, które Ją pamięta. Chciałam dać Jej coś w darze. Ale nie miałam nic. Tylko wodę. Podzieliłam się nią. Tą samą, która poiła dziś mnie. Teraz coś nas łączy. Ta sama esencja krąży w naszych ciałach. A potem — wydarzyło się coś niezwykłego. Światło przebiło się przez gałęzie. Jeden promień trafił prosto w moje serce. Drugi objął stopy. Niebo spotkało Ziemię. Duch dotknął Ciała. A ja stałam pośrodku. Jakby Mitera odpowiedziała. Jakby świat szeptał: “Tak, Córko. Widzę Cię.” Ona wciąż rodzi oliwki. Wciąż karmi. Wciąż pamięta. A ja nigdy nie zapomnę tej chwili.
A body without a head. This sculpture, created us A body without a head. This sculpture, created using the Saggar firing technique, depicts a female figure in the lotus position — headless. This is not a lack. It’s a choice. Marija Gimbutas, a pioneering archaeologist, presented compelling evidence in her book The Living Goddesses that Neolithic cultures were centered around women, both socially and spiritually. In these societies, the goddess was a symbol of life, death, and regeneration. Her worship was expressed through art, architecture, and ritual. Sculptures of female figures without heads were not uncommon. Gimbutas interpreted them as an expression of reverence for the female body as a source of life and transformation. The absence of the head may symbolize the transcendence of the individual ego in favor of a universal feminine force. Modern women are often unaware that their bodies were once considered sacred — their life cycles seen as a mirror of the cosmic order. Remembering this history can be an act of reclaiming one’s power and identity. Let this sculpture serve as a reminder of the deep roots of feminine strength and spirituality. — Source: Marija Gimbutas, The Living Goddesses

opinie

Mam Klientów na całym świecie – wysyłka jest szybka i bezpieczna. Wiem którym przewoźnikom mogę zaufać, żeby rzeźba trafiła do Ciebie cała. Zawsze może się zdarzyć uszkodzenie, w tej sytuacji zwracam Ci pieniądze lub robię podobną rzeźbę. Chcę by moi klienci czuli się komfortowo, zaopiekowani od chwili zamówienia rzeźby aż do jej dostarczenia.

 

Carolyn on Jul 15, 2020

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I bought three sculptures from Marta and they arrived really quickly from Poland to Singapore. One sculpture arrived broken, and Marta immediately promised to make me a new one. Her pieces are truly unique and special. Customer service is also most incredible. Highly recommend her for amazing one of a kind pieces. Am very happy with everything. She is very talented artist. Thank you Marta!! 

Katie on Jul 14, 2020

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My third sculpture from this fabulous artist…full of character and expression, it fully captures the sentiment of these ethnic peoples. 

Katie on Jul 14, 2020

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 Another stunning sculpture to add to my collection from this amazingly inspiring and talented ceramacist. A truly beautiful, sensitive and emotional piece. 

Katie on Jun 15, 2020

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This beautiful and enigmatic sculpture has brought tears to my eye…it is really stunning and so full of emotion and empathy, and it has been so skillfully created. So full of imagination and character, it will hold a special place in my home…thank you so much for sharing your amazing work with me Marta! Your stories are unique!! 

Michaela on Jun 7, 2020

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These sculptures are absolutely AMAZING! I had been looking for unique African sculptures that were not made of wood. Marta took great pleasure in creating exacting what I wanted. They are so detailed and life like. It is evident that a lot of thought and time was put into these beautiful creations. My order came sooner than expected even during COVID19. 

Karl on Apr 21, 2020

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Thank you very much, the horse looks fantastic. Thank you also for the thoughtful message. 

mkaja on Apr 14, 2020

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Great sculpture! I absolutely love it! The artist -Marta is very helpful, responsive and she managed to ship me the package within a day!
I am looking forward to purchase from them again!

Andrea on Mar 14, 2020

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I am so much in love with this beautiful sculpture! THANK you very much for the fast shipment and the little gift. I keep following you and wish you the best of luck 

jipsygirl on Mar 1, 2020

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I am in love with this sculpture! It’s a new favorite piece of art in my home. It traveled a long way and arrived safe and sound in plenty of safe packing. Thank you so much

fannierose on Feb 6, 2020

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Perfect…exactly as described…thank you so much…xo 

imonsall on Jan 16, 2020

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Thank you very much Marta. The statue arrived very fast and it is just beutiful. 🙏 

thelarrabees on Dec 26, 2019

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Outstanding Service!! HIGHLY RECOMMEND!! The workmanship is amazing! A sculpture that I will treasure! Thank you so very much!!

Sabah on Jul 7, 2020

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Magnifique,d’une beauté incomparable.Les couleurs sont sublimes et les traits donnent à la statue une force et une vie d’une grande intensité.
Vous êtes une grande artiste.
Merci pour le petit cadeau que vous avez ajouté au colis 

DIANA on Jun 30, 2020

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